The story of three young Russsian adventurers against the background of post-revolutionary skirmishes in the Ukraine. The boys get mixed up with a wounded commissar and a marauding White Russian officer. They find themselves in all sorts of predicaments before the Reds arrive to save the day, and become the mascots of a troop of Bolshevik cavalry.

A story about an agile Cossack named Aeneas. His free and peaceful life was disturbed by the goddess Juno, who did not like our hero and tried with all her might to torment him. Driven by her, Aeneas managed to cope with many difficulties, pass through the fires of hell and even cheat death itself. But the exciting adventures of the Cossack did not end there.

http://www.youtube.com/watch?v=dq7GMJH9qFc 4 min

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

A down-on-her luck prostitute embarks on a wild adventure that puts her in contact with the Mafia.

A surrealistic musical about the love between a woman and a talking photocopier in a patriarchal slave society. Beatrice is one of many women who work hard under the unfair boss, Mr Kättström. As time goes by, the love between Beatrice and the photocopier grows and together they decide to fight the injustices at their workplace.

Defying bullies, a lone girl battles fears to chase her dream of soaring beyond the mountain's peak.

An unexperienced robber brings his obnoxious best friend along for his last job. But, as the night grows colder they soon realize they are in for a lot more than they bargained for. Can they handle the truth?

The events unfold during the years of the Civil War. Commissar Fadeytsev once spared the life of a White officer, Chugureyev. Now, in the days of the counter-revolutionary uprising, Chugureyev, sent by his command to a remote island, encounters Fadeytsev, who is hiding in the house of a gamekeeper named Maksim. The gamekeeper is sentenced to hang, and the sentence is carried out. Fadeytsev manages to escape captivity, but being on an island, he knows full well that he won’t get far from the enemy...